Venezuelan conductor Gustavo Dudamel adds 2 Grammys in classical music and now has 9 in his collection
- External sources

- Feb 2
- 2 min read
From LatinNation

Where is the maestro? The big question behind Dudamel’s absence from the winners’ podium as his legacy continues to grow.
From slave resistance to Yucatan’s cenotes: Discover the powerful Latino stories that conquered the Academy this year.
Nine statuettes and counting: The historic milestone consolidating Gustavo Dudamel as the undisputed face of contemporary classical music in the U.S.
On a night where elegance and Latino identity merged on the stage of the Peacock Theatre in Los Angeles, Gustavo Dudamel’s name once again resonated with the power of a perfect symphony. For our Gen Z and Millennial audience seeking mold breaking role models, the Venezuelan “maestro” didn’t just add two new golden gramophones to his already legendary display case; he did so by elevating compositions that narrate our deepest roots. With a total of nine Grammy Awards under his belt, Dudamel reaffirms that classical music is not a static genre, but a vibrant canvas where Hispanic pride continues to dictate the global rhythm.
The triumph of Latino heritage
The two awards won by the conductor in this 68th edition came through a powerful collaboration with Mexican composer Gabriela Ortiz, proving that the union of Latin American talents is a winning formula in the big leagues. Dudamel took home Best Choral Performance for the work “Ortiz: Yanga,” a piece honoring Gaspar Yanga’s resistance against the Spanish crown and Best Classical Compendium for the same work. Although the Venezuelan was not physically present to collect the statuettes, his spirit and masterful direction were the guiding thread of a day that celebrated technical excellence and the thematic depth of Southern stories.
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